THE LI WOOD CARVERS SHOW


Tuesday, April 16, 2013

Carving as a Healing Method


While doing some research the other day, I found an article that talks about the healing attributes that wood carving can have for a person.  The article details how it can affect your mood and alter your stress levels. 
When you as a wood carver enjoy the projects that you are working on, you will tend to feel better about them and yourself.  You will also do a better job on the wood carving project.  I have always been a believer that people should find a hobby that they enjoy and stick with it.  You will become more relaxed and get your mind off of the stresses of everyday life.  www.ozarkwalkingsticks.com
Healing Properties of Your Woodcarving...CLICK HERE

Sunday, March 31, 2013

Hopi artisans carve cottonwoods into kachinas



Sun Mar 31, 2013 11:42 AM  By Ron Dungan
Hopi kachina carving goes back to troubled times, to cultural shifts that took place a couple of centuries ago.
Carvers use a variety of methods, tools and paints — both traditional and contemporary — in creating the figures. Some use power tools, others stick with hand tools. Some use fur and feathers, others don’t. Although carvers approach their work differently, each piece begins with a cottonwood root.
The trees live along rivers, springs and washes on high plateaus and in stony passages throughout the Southwest. They put down deep roots and grow a thick layer of rough bark. They stand against floods and drought, through cold winters and hot summers, until they die and are washed away.
Some carvers gather their own roots. They walk dry riverbeds and washes after floods, watching for rattlesnakes. Other carvers are happy to leave that work to others.
“My wife and I used to get it from riverbeds,” said Arthur Holmes Jr., a contemporary-style carver from Prescott Valley, who learned from his father. “Now I have people who go and collect the wood.”
Gerry Quotskuyva, a contemporary carver who lives near Camp Verde, said he once got pretty excited about some roots he spotted. He grabbed a piece and stripped off the bark, his mind filled with possibilities, until he realized there were scorpions in the wood, and his thoughts snapped back to the moment.
Old-style carving
Kachina dolls represent dancers who perform in Hopi ceremonies. The dancers carry messages for their people and are givers of life, said Tayron Polequaptewa, a carver who lives in Flagstaff. They instill discipline. They teach children how to behave. CLICK HERE

Saturday, March 9, 2013

Finding Reference Material

Finding reference material

by Lets Talk Carving with Susan Alexander

To improve our carving skills, not only do we need to learn more about this wonderful craft of carving, but we need a method of retaining what we’ve learned, or at least remembering where we’ve read it.
The only thing I own more of than tools, are books. My carving reference library fills up one bookcase that reaches from the ceiling to the floor, plus a second 3 ft. high case. Want to see a crazy person? That would be me, at midnight, going through my library trying to “remember” where I read one specific carving TIP that I need NOW!
I believe that reading is a contact sport, and if you’re going to play, you’d better have the right equipment. As with carving, the correct tool makes the job easier. Using the correct tools will eliminate the midnight madness of searching through books and back issues of Carving Magazinelooking for that one piece of escaped knowledge.
img 12 13TIP: Here's a photo of what I grabbed from my desk drawer. In order to put your hands on a TIP you read a year ago, whenever you pick up a book/magazine, you should also have one item from Column A and one item from Column B next to you. My favorites are shown below.
Issue 40 Holiday 14
Let’s say that while you’re reading Issue 38, you’re thinking the lamp I mentioned sounds like something you might buy for yourself, and that next month you’d like to carve Donna Menke’s hummingbird for your niece, and your nephew would love Sharon Bechtold’s pirate ship for his birthday.
Issue 40 Holiday 15
TIP: By writing the subject matter on a sticky note, and attaching it to the appropriate page, you’ll quickly find all the articles that you want to refer to, months, even years later. If there is specific information you need from the article, highlight that information with a marker.
TIP: There may be different types of TIPS in one article, which you want to remember. If so, you can use different colored markers. While I highlight most everything in yellow, I will highlight an item I want to purchase in the future – like a new burning tip or special color paint – with a green or blue marker.

Friday, March 1, 2013

Finned Fakes


Belleville man is world's best at carving fish decoys
John McCoy Daily Mail Outdoors editor
"Reprinted with permission from the Charleston (W.Va.) Daily Mail, Sept. 6, 2002."
BELLEVILLE -- Some people carve duck decoys for a hobby. Scott Morrison carves fish decoys.
Yes, there is such a thing as a fish decoy. People in Midwestern states use them to lure real fish within spear range. And Morrison, with only four years of experience at carving decoys, already is the world's best at that arcane pastime.
He has a bit of an advantage. As a fisheries biologist with 22 years of experience, he knows how fish look and he knows how they swim.
That knowledge helped set him apart from the crowd two weekends ago, when he captured the world championship of fish decoy carving at the Great Lakes Fish Decoy Carvers and Collectors Association's convention in Livonia, Mich.
"It's a natural fit for me," says Morrison, who lives next to the Ohio River near the Belleville Locks and Dam in Wood County. "It's kind of refreshing to be involved with a group of people who care as much about the way a fish swims in the water as they do about its looks."
Unlike duck decoys, which are judged solely upon their looks, fish decoys also must move properly in the water to score points with contest judges.
"In order to attract fish, a fish decoy has to have some movement to it," Morrison explains. "When activated by a pull on its tether line, it should ‘swim' in a lazy circle."
Six Midwestern states still allow anglers to spear large fish such as sturgeon and northern pike.
Because spear fishing takes place through the thick ice of frozen lakes, anglers use decoys to attract fish to the holes they chop through the ice.
"It's pretty neat how spear fishing works," Morrison says. "You sit in a black- walled tent that shuts out all the light. You lower your decoy into the water, and it's just like looking into a television set. When the big fish come over to inspect the decoy, it swims into the picture and you spear it."
Morrison had never even heard of a fish decoy until six years ago, when he saw one displayed at a duck-decoy competition in Cleveland. The sighting struck a chord in the 52-year-old biologist, who had carved duck decoys for years with only modest competitive success.
"I figured I knew a lot more about fish than I know about ducks," he says.
Two years later, he began entering fish decoy competitions. His works earned immediate acclaim.
Read the rest of the story, click here

Saturday, February 16, 2013

I decided to go to the master, Leonardo da Vinci, and get some TIPS from the great man!

Issue 40 Holiday 01

Proportion tricks

by Lets Talk Carving with Susan Alexander



No matter what you carve – proportions count. When a carving is unsuccessful, we know that something is wrong, but often have a difficult time deciding what is wrong. I’ve always marveled at how a great instructor or educator can quickly pinpoint exactly what needs to be corrected in a carving. It doesn’t matter whether it’s a caricature, stylistic, or realistic carving a good carver understands proportions.
I’m often asked by civilians (non-carvers), “You carve? …wood? … really? Uh … why?” Translation: “Why would you want to play with wood, sharp knives, band saws, sharpening systems, air filters, drill presses and sanders?”
I used to respond by saying, “Because I want to.” But, this last year, I took their question seriously and asked myself why I was carving – did I have a goal beyond the simple joy it brought me?
I discovered what I truly desired was to be able to successfully carve any subject that thrilled me (no matter how many years it might take.) I love wood and I love the challenge.
Issue 40 Holiday 01I bring this up, in conjunction with proportions, because since realizing my goal I found that I’m reading books in a different manner than I had previously read them.
I thought the carvings and sculptures in these books were so far beyond me that they had nothing to do with my carving efforts. That isn’t true. We can learn from everyone, especially those great artists who left us their notes.
Leonardo da Vinci left notes, diaries, and drawings. Let’s discover how we can use them.

Sunday, January 20, 2013

Working With Reclaimed Woods

Saints carved from reclaimed wood and hand-painted by artisans in Guatemala.
Saints carved from reclaimed wood and hand-painted by artisans in Guatemala.

Working With Reclaimed Woods
Old barn boards, crates and pallets (often free for the taking) are all examples of valuable lumber that often gets relegated to the garbage pile. Woodworker Charles Mak, who recently made a jigsaw-puzzle frame out of pallet boards, explains how to use reclaimed wood in your projects. Read more...

Monday, January 7, 2013

Carve Hobo Nickels





How to Make Hobo Nickels

Click to view enlargment.
The United States minted buffalo nickels from 1913 through 1938.
During this time period and beyond, folk artists used hand tools to
alter the distinguished Indian head on the front of these coins.
Famous hobo nickels show the Indian's head accentuated with
details such as beards and hats or fully transformed into a famous
personality or comical character. Some artists would even transform
the buffalo on the back of the nickel into a different animal.
With a few engraving tools and a steady hand, you can alter
your own buffalo nickels or use your imagination to carve modern coins.
Difficulty:
 
Moderately Easy

Instructions



Things You'll Need


  • Fine-tipped marker
  • Hand engraving tool with nail and carbide tip
  • Craft knife
  • Hammer
  • Nail
  • Metal polish
  • Polishing cloth
    • 1
      Draw your desired shape and details on the surface of the nickel,
      using a fine-tipped marker. Try to work with the details and contours
      of the original nickel to make your finished nickel look authentic.
    • 2
      Smooth and carve away away large areas of metal with your hand
      engraving tool and a carbide tip.
    • 3
      Engrave fine lines on the metal surface with the hand engraving
      tool and a nail tip or a craft knife.
    • 4
      Hammer a nail into the coin to create stippling or small, rough
      details such as pockmarks.
    • 5
      Polish the finished nickel with metal polish and a polishing cloth.

Resources

Wednesday, January 2, 2013

A CENTURY OF WHITTLING – 1865 – 1965

a folk history by Donald K. Mertz – The WOOD BEE CARVER  http://woodbeecarver.com/


Wood carving is perhaps one of the oldest forms of art that originated the first time a human shaped in a decorative manner a piece of wood with a sharp stone. Whittling developed when sharpened metal knives were used to carve a hand held piece of wood making Whittling one of the earliest forms of carving.
In the United States Whittling was most prevalent in the century between 1865 and 1965. The Civil War brought together men from different states and territories in a melting pot kind of gathering. Sitting around the campsite the soldiers would relax by talking, playing cards, writing letters and some would be whittling. The folding jack knife was common among the soldiers who, if one had a knife one was prone to whittle. Some soldiers who were more proficient at whittling would teach others to whittle walking sticks or canes, animals, human figures, spoons, smoking pipes and whimsies like wooden chains, ball in a cage, fans and puzzles. A soldier from Maine would teach a soldier from Ohio how to whittle a particular object. A soldier from Georgia would show a soldier from Tennessee how to whittle. This was repeated over and over in the melting pot of the casual school of whittling.

“Whittling”


The Yankee boy, before he’s sent to school,
Well knows the mysteries of that magic tool,
The pocket-knife. To that his wistful eye
Turns, while he hears his mother’s lullaby;
His hoarded cents he gladly gives to get it,
Then leaves no stone unturned till he can whet it;
And in the education of the lad
No little part that implement hath had.
His pocket-knife to the young whittler brings
A growing knowledge of material things.
Projectiles, music, and the sculptor’s art,
His chestnut whistle and his shingle dart,
His elder pop-gun with its hickory rod,
Its sharp explosion and rebounding wad,
His corn-stalk fiddle, and the deeper tone
That murmurs from his pumpkin-stalk trombone,
Conspire to teach the boy. To these succeed
His bow, his arrow of a feathered reed,
His wind-mill, raised the passing breeze to win,
His water-wheel, that turns upon a pin;
Or, if his father lives upon the shore,
You’ll see his ship, “beam ends upon the floor,”
Full rigged, with raking masts, and timbers stanch,
And waiting, near the wash-tub, for a launch.
Thus, by his genius and his jack-knife driven,
Ere long he’ll solve you any problem given;
Make any jim-crack, musical or mute,
A plow, a couch, an organ, or a flute;
Make you a locomotive or a clock,
Cut a canal, or build a floating-dock,
Or lead forth Beauty from a marble block—
Make any thing, in short, for sea or shore,
From a child’s rattle to a seventy-four;—
Make it, said I?—ay! when he undertakes it,
He’ll make the thing and the machine that makes it.
And when the thing is made—whether it be
To move on earth, in air, or on the sea;
Whether on water, o’er the waves to glide,
Or, upon land to roll, revolve, or slide;
Whether to whirl or jar, to strike or ring,
Whether it be a piston or a spring,
Wheel, pulley, tube sonorous, wood or brass,
The thing designed shall surely come to pass;
For, when his hand’s upon it, you may know
That there’s go in it, and he’ll make it go.
by John Pierpont

Thursday, December 27, 2012

Carvin' a Noggin

Dr. Terry M. Trier
 
One of my favorite things to do in the woods (or anywhere, actually) is whittle. The nice thing about doing it in the woods is that you don't have to clean up the mess. On a backpacking trip to the dunes of Lake Michigan, I wanted to test out a few tools on a little whittling project. For this project, I used the Sawvivor, a Frost hoof knife, a Gransfors Bruks mini hatchet, and the Gerber Yari.I started with a block of wood (red oak) that I cut from a deadfall using the Sawvivor. This was pretty easy work for the little saw and an excellent tool for cutting saplings up to 5 or 6 inches.
 
noggin1.jpg (61672 bytes)

I used the GB mini to work the block into shape. I have to say I was totally impressed with this tool. It is a very precise wood carving tool and most of the initial shape was formed using the mini. It was a tremendous pleasure to cut with and the pile of chips lying around the noggin were easy as pie to create with the mini. This is a really wonderful tool.